翻訳と辞書
Words near each other
・ Good Dreams (The Pillows album)
・ Good Earth (restaurant chain)
・ Good Earth State Park
・ Good Earth Tea
・ Good Earth Transit
・ Good Easter
・ Good Eats
・ Good Energy
・ Good engineering practice
・ Good Enough
・ Good Enough (album)
・ Good Enough (Dodgy song)
・ Good Enough (Evanescence song)
・ Good enough parent
・ Good as Gone
Good as I Been to You
・ Good as I Was to You
・ Good As You
・ Good Automated Manufacturing Practice
・ Good Ba Ba
・ Good Bad Books
・ Good Bad Boys
・ Good Bad Not Evil
・ Good Bait
・ Good Bay
・ Good Beer Guide
・ Good Behavior Game
・ Good Behaviour
・ Good Blonde & Others
・ Good Blood Headbanguers


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Good as I Been to You : ウィキペディア英語版
Good as I Been to You

''Good as I Been to You'' is the twenty-eighth studio album by American singer-songwriter Bob Dylan, released on November 3, 1992, by Columbia Records.
It is composed entirely of traditional folk songs and covers, and is Dylan's first entirely solo, acoustic album since ''Another Side of Bob Dylan'' in 1964. It is also his first collection not to feature any original compositions since ''Dylan'' in 1973.
On the charts, ''Good as I Been to You'' reached #51 in the US and #18 in the UK, and helped to restore Dylan's critical standing following the disappointing ''Under the Red Sky''.
==Recording sessions==

Since launching the Never Ending Tour in June 1988, traditional covers became a feature at virtually every concert, often as part of an acoustic set. After recording ''Under the Red Sky'' in 1990, Dylan would not release an original song until 1997, and during that time, he would increasingly rely on his stockpile of covers for 'fresh' material. Dylan called these covers "the music that's true for me."
According to Dylan's friend Susan Ross, ''Good as I Been to You'' began life as a contractual filler. Dylan had scheduled two weeks at Chicago's Acme Recording Studio sometime in 1992, hiring long-time associate David Bromberg as his producer. An album's worth of songs, including the contemporary Christian ballad "Rise Again," were recorded at those sessions with the accompaniment of a full band. Bromberg was left to mix the recordings while Dylan completed a brief, 11-show tour in mainland Europe. There are several songs known to have been recorded during these sessions, including "I'll Rise Again" (trad.), "Nobody's Fault but Mine" (Blind Willie Johnson), "Lady From Baltimore" (Tim Hardin), "Polly Vaughan" (trad.), "Casey Jones" (trad.), "Duncan and Brady" (trad.), "Kaatskill Serenade" (David Bromberg), "World Of Fools" (David Bromberg), "Sloppy Drunk", and "Miss the Mississippi."
Prior to the release of Volume 8 of Dylan's Bootleg Series, ''Tell Tale Signs'', the only songs known to be circulating from these sessions are "Kaatskill Serenade", "Sloppy Drunk", "Polly Vaughan", and "Miss the Mississippi". "Duncan and Brady" was included in that set.
When he returned to Malibu in mid-July, Dylan decided to record some solo acoustic material in his garage studio. The intention was to break up the Bromberg recordings with a few solo performances in between. As those garage sessions progressed, plans were changed, and the Bromberg recordings were pulled from the album.
Neither Dylan nor Bromberg have explained why the Bromberg recordings were rejected and put away—they have never been released—and whether Dylan actually disliked them is unknown. It was made clear that Dylan was pleased with the results he was getting in his garage studio, particularly in the minimal production work given to the recordings. Producer credit was given to Debbie Gold, a friend of Dylan's who took a hands-off approach to the entire proceedings.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Good as I Been to You」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.